Production
The Cincinnati Kid was filmed on location in New Orleans, Louisiana, a change from the original St. Louis, Missouri, setting of the novel. Spencer Tracy was originally cast as Lancey Howard, but ill health forced him to decline the role. Sam Peckinpah was originally hired to direct; producer Martin Ransohoff fired him shortly after filming began for "vulgarizing the picture." Peckinpah's version was to be shot in black-and-white to give the film a 1930s period feel. Jewison scrapped the black-and-white footage, feeling it was a mistake to shoot a film with the red and black of playing cards in greyscale. He did mute the colors throughout, both to evoke the period and to help pop the card colors when they appeared.
The film features a theme song performed by Ray Charles and a brief appearance during the film by The Preservation Hall Jazz Band, with Emma Barrett as vocalist and pianist.
Read more about this topic: The Cincinnati Kid
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
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“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
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“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)