Inspiration and Development
Thematically the novels draw upon Welsh mythology, particularly the Mabinogion. The novels are not, however, retellings of those myths, a point Alexander himself makes in an author's note for The Book of Three: stories have been conflated, and characters have been changed in both role and motive, so a student of Welsh culture should be prepared as Arawn becomes the books' dark arch enemy and Gwydion's negative traits are replaced with unclouded heroism.
Appropriately, the author's note also reveals the geography is ultimately derived from Wales, though Alexander notes that Prydain is separate from Wales both in physical geography and history.
"Always interested in mythology", Alexander received army combat intelligence training in Wales during World War II. That exposed him to its castles, scenery, and language, which became "part of the raw material for the Prydain books". Originally he "planned to write one or two – three at the very most".
At one point they planned a trilogy with titles The Battle of the Trees, The Lion with the Steady Hand, and Little Gwion. In Welsh mythology the former features the sons of Don led by Gwydion against the forces of Arawn, and the legend of Gwion concerns the bard Taliesin as a boy. Later, a four-volume series would conclude with The High King. The editor felt that something was missing between third and fourth volumes, so Taran Wanderer was written one month after The Castle of Llyr was published, making it a five-volume series.
The stories that are now collected in The Foundling and Other Tales of Prydain actually were published in three different volumes: two picture books and one short story collection. They act as backstories which fill in gaps for minor characters.
Read more about this topic: The Chronicles Of Prydain
Famous quotes containing the words inspiration and, inspiration and/or development:
“For a painter, the Mecca of the world, for study, for inspiration and for living is here on this star called Paris. Just look at it, no wonder so many artists have come here and called it home. Brother, if you can’t paint in Paris, you’d better give up and marry the boss’s daughter.”
—Alan Jay Lerner (1918–1986)
“Shakespeare carries us to such a lofty strain of intelligent activity, as to suggest a wealth which beggars his own; and we then feel that the splendid works which he has created, and which in other hours we extol as a sort of self-existent poetry, take no stronger hold of real nature than the shadow of a passing traveller on the rock. The inspiration which uttered itself in Hamlet and Lear could utter things as good from day to day, for ever.”
—Ralph Waldo Emerson (1803–1882)
“They [women] can use their abilities to support each other, even as they develop more effective and appropriate ways of dealing with power.... Women do not need to diminish other women ... [they] need the power to advance their own development, but they do not “need” the power to limit the development of others.”
—Jean Baker Miller (20th century)