Game Play
Once seated in the Chair, the contestant found him/herself looking up at a large video screen on which McEnroe's image was displayed, as well as the information for the current question. He/she began with a stake of $5,000 and could increase it to a maximum of $250,000 by answering a series of seven multiple-choice questions. However, the contestant's heart rate was continuously measured throughout the game and compared to a "redline" threshold. This value started at 60% (later 70%) above the resting heart rate, and it was lowered by 5% of the resting heart rate after each question.
Money was subtracted from the contestant's total for every second that his/her heart rate exceeded the redline value ("redlining"). In addition, he/she was ineligible to give an answer during this time; only after the heart rate dropped below the threshold could an answer be given. (Redlining between questions, or while a question was being asked, carried no penalty.) The third question involved recalling information from a video clip, the fifth was a list, and the seventh involved choosing which event occurred first/last (However, in Stephen Benjamin's game, he was asked a question about animal groups for #7). After the fourth question, McEnroe would make a one-time offer: keep the redline rate constant for the next question, at a cost of $25,000. This was rarely - if ever - accepted.
As long as the contestant had money in the account, and continued to answer questions correctly the game continued. If the money ran out or a question was answered wrongly, the game ended. The question values and penalties for redlining are shown in the table below.
| Question | Value | Redline penalty (per second) |
|---|---|---|
| 1 | $5,000 | $100 |
| 2 | $10,000 | $100 |
| 3 | $15,000 | $200 |
| 4 | $25,000 | $300 |
| 5 | $40,000 | $400 |
| 6 | $50,000 | $500 |
| 7 | $100,000 | $1,000 |
Read more about this topic: The Chair (game show)
Famous quotes containing the words game and/or play:
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—Samuel Richardson (1689–1761)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)