Style
Further information: Characteristics of Harold Pinter's workThe language and plot of The Caretaker blends Realism with the Theatre of the Absurd. In the Theatre of the Absurd language is used in a manner that heightens the audience's awareness of the language itself, often through repetition and circumventing dialogue.
The play has often been compared to Waiting for Godot, by Samuel Beckett, and other absurdist plays because of its apparent lack of plot and action.
The fluidity of the characters is explained by Ronald Knowles as follows: "Language, character, and being are here aspects of each other made manifest in speech and silence. Character is no longer the clearly perceived entity underlying clarity of articulation the objectification of a social and moral entelechy but something amorphous and contingent (41).
Read more about this topic: The Caretaker
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“As the style of Faulkner grew out of his rageout of the impotence of his ragethe style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
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“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
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