The Candidate For Goddess - Production

Production

The original manga version of The Candidate for Goddess was written and illustrated by Yukiru Sugisaki. An anime television adaptation of The Candidate for Goddess was produced by Xebec, a subsidiary studio of Production I.G., and directed by Mitsuru Hongo. Shinichi Yamaoka was the show's character designer, having also worked on Martian Successor Nadesico. Shingo Takeba and Junya Ishigaki acted as its main mecha designers, respectively credited for the anime series Gasaraki and the video game Xenogears. The musical score for The Candidate for Goddess was created by Tomoyuki Asakawa, who previously composed for the television series The New Adventures of Kimba The White Lion and the film The Five Star Stories. The television episodes have the opening instrumental "Zion o Mezase!" (希望の星(ZION)をめざせ!?, lit. "Aim for Zion, the Planet of Hope"), composed by Tomoyuki Asakawa, and the ending theme "Chance" (チャンス, Chansu?), performed by Kohei Koizumi, while the OVA has a separate ending theme "Kagayaki" (かがやき?, lit. "Shimmering"), also performed by Kohei Koizumi.

Hongo attempted to adapt the manga closely while integrating interesting story elements and 3D CGI animation, used in the battles between the Ingrids and Victim alongside the traditional cel animation. Hongo felt the possibilities with the CGI were limitless; 3D director Tokumitsu Kifune did not think these portions of the show would not have been possible with 2D animation. The manga series was still ongoing at the time of the anime's creation. With only 12 television episodes produced, Xebec ended the series abruptly without giving the storyline closure. Although a thirteenth episode in the form of an OVA continues where the television series left off, it still fails to conclude the narrative. Hongo has expressed regret over the short length of the series.

Read more about this topic:  The Candidate For Goddess

Famous quotes containing the word production:

    The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.
    François, Duc De La Rochefoucauld (1613–1680)

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    [T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.”
    State of Utah, U.S. public relief program (1935-1943)