Release and Critical Reception
The Big Lebowski received its world premiere at the 1998 Sundance Film Festival on January 18, 1998 at the 1,300 capacity Eccles Theater. It was also screened at the 48th Berlin International Film Festival before opening in North America on March 6, 1998 in 1,207 theaters. It grossed USD $5.5 million on its opening weekend, grossing US$17 million in the United States, just above its US$15 million budget. The film's worldwide gross outside of the US was $10,300,000, bringing its worldwide gross to $27,739,163.
Many critics and audiences have likened the film to a modern Western, while many others dispute this, or liken it to a crime novel that revolves around mistaken identity plot devices. Peter Howell, in his review for the Toronto Star, wrote, "It's hard to believe that this is the work of a team that won an Oscar last year for the original screenplay of Fargo. There's a large amount of profanity in the movie, which seems a weak attempt to paper over dialogue gaps." Howell revised his opinion in a later review, and more recently stated that "it may just be my favourite Coen Bros. film".
Todd McCarthy in Variety magazine wrote, "One of the film's indisputable triumphs is its soundtrack, which mixes Carter Burwell's original score with classic pop tunes and some fabulous covers." USA Today gave the film three out of four stars and felt that the Dude was "too passive a hero to sustain interest", but that there was "enough startling brilliance here to suggest that, just like the Dude, those smarty-pants Coens will abide."
In his review for the Washington Post, Desson Howe praised the Coens and "their inspired, absurdist taste for weird, peculiar Americana – but a sort of neo-Americana that is entirely invented – the Coens have defined and mastered their own bizarre subgenre. No one does it like them and, it almost goes without saying, no one does it better."
Janet Maslin praised Bridges' performance in her review for The New York Times: "Mr. Bridges finds a role so right for him that he seems never to have been anywhere else. Watch this performance to see shambling executed with nonchalant grace and a seemingly out-to-lunch character played with fine comic flair." Andrew Sarris, in his review for the New York Observer, wrote, "The result is a lot of laughs and a feeling of awe toward the craftsmanship involved. I doubt that there'll be anything else like it the rest of this year." In a five star review for Empire Magazine, Ian Nathan wrote, "For those who delight in the Coens' divinely abstract take on reality, this is pure nirvana" and "In a perfect world all movies would be made by the Coen brothers." Roger Ebert gave the film three stars out of four, describing it as "weirdly engaging"
However, Jonathan Rosenbaum wrote in the Chicago Reader, "To be sure, The Big Lebowski is packed with show-offy filmmaking and as a result is pretty entertaining. But insofar as it represents a moral position–and the Coens' relative styling of their figures invariably does–it's an elitist one, elevating salt-of-the-earth types like Bridges and Goodman ... over everyone else in the movie." Dave Kehr, in his review for the Daily News, criticized the film's premise as a "tired idea, and it produces an episodic, unstrung film." The Guardian criticized the film as "a bunch of ideas shoveled into a bag and allowed to spill out at random. The film is infuriating, and will win no prizes. But it does have some terrific jokes."
The Big Lebowski currently has a rating of 80% on Rotten Tomatoes (from both all critics and top critics).
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