The Big Broadcast of 1938 - Production Notes

Production Notes

The screenplay is by Walter DeLeon, Ken Englund, and Francis Martin, based on an adaptation by Howard Lindsay and Russel Crouse, based on a story by Frederick Hazlitt Brennan.

The art direction is by Hans Dreier and Ernst Fegté, with interior decorations by A.E. Freudeman. Costumes were designed by Edith Head. The cartoon sequence integrated with the live action in the “Rippling Rhythm” sequence was directed by Leon Schlesinger.

The film was Hope's first feature film, and was the final film under Fields' long-running Paramount contract, before he moved to Universal Studios to make his final series of films.

While the S.S. Colossal in the film appears to be similar to the 1935 steam turbo-electric-propelled passenger ship S.S. Normandie with its classic Art Deco French Line-styled exterior, the S.S. Gigantic is a Streamline Moderne futuristic-fantasy ship inside and out, with deck-mounted air propellers and diesel engines powered by remote controlled radio electricity capable of reaching 65 knots, a speed more than twice that of a real ocean liner of the time. Modern cruise ships have come to somewhat resemble the Gigantic's glass-enclosed upper deck design.

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