Plot
This episode presents a backwards narrative, beginning with the Castle Rock Entertainment logo in reverse (but has the music in forward) and goes from the final scene to the first scene.
Jerry and George are walking down the street and they run into Nina (Justine Miceli), an old girlfriend of Jerry's with whom he's never slept. Elaine receives a last minute invitation to Sue Ellen Mischke's wedding in India. Given the late arrival of the invite, Elaine assumes that this is an "unvitation" and that Sue Ellen doesn't actually want her to come. Sue Ellen will be marrying Pinter Ranawat, whose name seems familiar to Elaine.
George asks Jerry to call Nina about setting them up on a date and realizes he must wear his Timberlands every time he sees her. Jerry and Nina suffer an awkward pause in their conversation, causing them to have sex on Jerry's counter. Elaine meets Pinter's parents, Usha and Zubin Ranawat, who try to convince her not to go to India for the wedding; they aren't going themselves and dislike India. While at Jerry's to talk about the incident, Elaine discovers that he and Nina have just slept together. She and Jerry agree that they must keep this from George, as he will take it personally.
Elaine buys tickets for herself, Jerry, George, and Kramer to India to spite Sue Ellen by showing up at her wedding. When she returns to Jerry's to give everyone their surprise tickets, Kramer refuses because he must resolve the curse put upon him by FDR (see below). George promptly takes the ticket for Nina, and Elaine and Jerry immediately become awkward, afraid that their secret will get out. Jerry temporarily escapes talking with George by going with Kramer to Newman's. Noticing Elaine's odd behavior, George goes with her to Monk's and gets her drunk on Peach Schnapps. While under the influence Elaine reveals Jerry and Nina's encounter to George.
Elaine, Jerry, George and Nina arrive in India, where Elaine discovers that Pinter is a man whom she has slept with and that they are the only people from the United States who are attending the ceremony. Jerry "schnapps" Elaine to find out why George is acting bitter towards him. George finds out that Jerry slept with Nina and that Elaine had slept with the groom. Sue Ellen calls her wedding off when she finds out, and Nina hates George but isn't interested in Jerry and only came for a free trip to India. Jerry, George, and Elaine return from their disastrous trip to India that they don't want to talk about to Kramer. It was revealed that, two years ago, Elaine indeed dated Pinter (whom Elaine calls "Peter") and Jerry tells George and Susan that Nina might be the one. He is very impressed when she mentions something he's never heard of, called "E-mail".
Meanwhile, Kramer attends FDR (Franklin Delano Romanowski)'s birthday and FDR gives him the evil eye right before blowing out the candles on his cake. Kramer confronts FDR about his birthday wish, which is for him to "drop dead". Kramer tries to get Newman to use his birthday wish to protect Kramer from dropping dead. When he found out Newman didn't use his birthday wish to save Kramer from FDR (rather using it to wish for a date with a supermodel, which in fact comes true), Kramer scolds him, while Jerry sits by him, explaining he only came "because of George". Kramer tries to out-wish FDR by a shooting star, throwing coins in the fountain, pulling out eyelashes, and even pulling the wishbone. In the end, Kramer and FDR settle their scores with a snowball. It is revealed that Kramer nailed FDR in the back of the head with a snowball two years ago. At the end of the show, a flashback, taking place eleven years ago, shows how Jerry met Kramer (whom Jerry calls Kessler, the name on the buzzer) and tells him, "What's mine is yours." This explains why Kramer will frequently go uninvited into Jerry's apartment later on.
Read more about this topic: The Betrayal
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)