The Bell Laboratory Science Series

The Bell Laboratory Science Series consists of nine television specials made for the AT&T Corporation that were originally broadcast in color between 1956 and 1964. Marcel LaFollette has described them as "specials that combined clever story lines, sophisticated animation, veteran character actors, films of natural phenomena, interviews with scientists, and precise explanation of scientific and technical concepts — all in the pursuit of better public understanding of science." Geoff Alexander and Rick Prelinger have described the films as "among the best known and remembered educational films ever made, and enthroning Dr. Frank Baxter, professor at the University of Southern California, as something of a legend as the omniscient king of academic science films hosts."

AT&T and its subsidiary Bell Telephone System had a history of sponsoring broadcasting such as the Bell Telephone Hour, which was a weekly radio program of classical and Broadway music. AT&T's advertising agency, N. W. Ayer & Son, suggested that they also sponsor "television specials aimed at family audiences. Science was a natural topic choice, given the accomplishments and reputation of the company’s research arm, Bell Laboratories." They ultimately approached the famed filmmaker Frank Capra, who had numerous nominations and wins for the Academy Award for Best Director in the 1930s and 40s for films such as It's a Wonderful Life (1946). Capra produced the four films that were televised from 1956–1958. The second four films were produced by Warner Brothers Pictures, with veteran filmmaker Owen Crump in charge; these were televised between 1958 and 1962. The final film was produced by Walt Disney Pictures, and televised in 1964. Each special explored a single subject in detail. The host for the first eight films was Dr. Frank C. Baxter, a USC professor of English and television personality who played the role of "Dr. Research" (or "Dr. Linguistics" in The Alphabet Conspiracy). The host for the last film in the series was Walt Disney.

Following their television broadcast, the films were made available at minimal cost for classroom use. J. B. Gilbert estimated that, by the mid 1960s, the films had been watched by 5 million schoolchildren and half a million college students"; about 1600 copies of the film were ultimately distributed. Most of the films have been released for home video.

LaFollette notes that, "Production approaches that are now standard practice on NOVA and the Discovery Channel derive, in fact, from experimentation by television pioneers like Lynn Poole and Don Herbert and such programs as Adventure, Zoo Parade, Science in Action, and the Bell Telephone System’s science specials. These early efforts were also influenced by television’s love of the dramatic, refined during its first decade and continuing to shape news and public affairs programming, as well as fiction and fantasy, today."