The Images
Part of the text was originally conceived as a supplemented catalogue to the exhibition Frontiers of Chaos of the German Goethe-Institut, first seen in Europe and the United States. It described the context and meaning of these images. The images were created at the "Computer Graphics Laboratory Dynamical Systems" at the University of Bremen in 1984 and 1985. Dedicated software had to be developed to make the necessary computations which at that time took hours of computer time to create a single image. For the exhibit and the book the computed images had to be captured as photographs. Digital image capturing and archiving were not feasible at that time.
The book was cited and its images were reproduced in a number of publications. Some images were even used before the book was published. The cover article of the Scientific American August 1985 edition showed some the images and provided reference to the book to be published.
One particular image sequence of the book is the close up series "seahorse valley". While the first publication of such a close up series was the June 1984 cover article of the Magazine Geo, The Beauty of Fractals provided the first such publication within a book.
Start of the zoom |
Step 2a (Central Spiral) |
Step 2 (Part of Tail) |
Step 3 |
Julia Set |
Potts Model, q-plane |
Newton Iteration |
Read more about this topic: The Beauty Of Fractals
Famous quotes containing the word images:
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)
“I tell it stories now and then
and feed it images like honey.
I will not speculate today
with poems that think they’re money.”
—Anne Sexton (1928–1974)