The Ballad of Baby Doe is an opera by the American composer Douglas Moore that uses an English-language libretto by John Latouche. It is Moore's most famous opera and one of the few American operas to be in the standard repertory. Especially famous are the title heroine's five arias: "Letter Aria," "Willow Song," "I Knew it Was Wrong", "Gold is a Fine Thing", and "Always Through the Changing." Horace Tabor's "Warm as the Autumn Light" is also frequently heard. Distinguished sopranos who have portrayed Baby Doe include Beverly Sills (Moore's favorite interpreter of the role), Faith Esham, Karan Armstrong and Elizabeth Futral.
The opera's premiere took place at the Central City Opera in Colorado in 1956. Hanya Holm directed and choreographed the production, and sopranos Dolores Wilson and Leyna Gabriele alternated in the title role. The opera's New York premiere, directed by Vladimir Rosing, was presented at the New York City Opera in 1958 in a revised version which added the gambling scene in Act 2 and an additional aria for Baby Doe. At the time, further revisions were being considered, but these were abandoned upon the sudden death of Latouche.
Read more about The Ballad Of Baby Doe: Roles, The Story, Act I, Act II, Discography
Famous quotes containing the words ballad, baby and/or doe:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“The myths about what we’re supposed to feel as new mothers run strong and deep. . . . While joy and elation are surely present after a new baby has entered our lives, it is also within the realm of possibility that other feelings might crop up: neediness, fear, ambivalence, anger.”
—Sally Placksin (20th century)
“Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion’s work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run....”
—William Butler Yeats (1865–1939)