Production
The film took several liberties with Ruth's life and career. Most notably in its portrayal of his "Called Shot" and his hitting of two home runs for a sick child. While the sick child story is a long-standing Ruth myth, the Called Shot's authenticity is still debated to this day. Nevertheless, the dramatic scene portrayed in the movie is mostly fabrication. The film also takes license with Ruth's first and final career homers. In the film, Ruth hits his first homer as a newcomer to the Red Sox in 1914. Ruth actually played sporadically for the Sox in 1914 and did not homer until 1915. His three final home runs did indeed come at Pittsburgh's Forbes Field in one afternoon; however, he did not retire following (or during) the game as seen in the film nor did he take a seat in the Pittsburgh Pirates dugout. Furthermore Ruth did not have a "designated runner" who would take over for Ruth upon reaching first base. Ruth appeared in five more games that year before injuring his knee and hanging it up.
Chicago's Wrigley Field stood in for Yankee Stadium during filming. Temporary walls were placed over the ivy-covered brick for the New York scenes. The ivy is depicted during the 1932 World Series scenes, where the action is taking place at Wrigley Field, although in 1932, the ivy had not yet been planted. Similarly, in a scene during Ruth’s career with the Yankees, in a 1925 game vs. the Boston Red Sox at Fenway Park, he hits a home run and the Green Monster is depicted. The Green Monster at that time was actually covered with advertisements; it was not painted solid green until 1947.
Danville Stadium in Danville, Illinois, was where the scenes for Fenway Park and Forbes Field were filmed, as well as the black/white news footage.
Read more about this topic: The Babe
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)