Criticism
According to investigator Benjamin Radford most ghost hunting groups including TAPS make many methodological mistakes. "After watching episodes of Ghost Hunters and other similar programs, it quickly becomes clear to anyone with a background in science that the methods used are both illogical and unscientific". Anyone can be a ghost investigator, "failing to consider alternative explanations for anomalous ... phenomena", considering emotions and feelings as "evidence of ghostly encounters". "Improper and unscientific investigation methods" for example "using unproven tools and equipment", "sampling errors", "ineffectively using recording devices" and "focusing on the history of the location...and not the phenomena". In his article for Skeptical Inquirer Magazine Radford concludes that ghost hunters should care about doing a truly scientific investigation "I believe that if ghosts exist, they are important and deserve to be taken seriously. Most of the efforts to investigate ghosts so far have been badly flawed and unscientific --- and, not surprisingly, fruitless."
Read more about this topic: The Atlantic Paranormal Society
Famous quotes containing the word criticism:
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)