The Ant Bully (film) - Production

Production

Hanks originally conceived the idea for an animated film adaptation after reading the book with his child. He then sent a copy of the book to Davis because of Davis' work on the computer-animated film Jimmy Neutron: Boy Genius. Davis came up with a potential take on the story within a few days. "To be honest, when I first looked at it, I thought Oh, why does it have to be ants again?" said Davis. "But the more I thought about it, I said, So what? It's got as much to do with The Incredible Shrinking Man as it does the other bug movies. It's a completely different story." Also, Hanks agreed that the story could be expanded considerably (the original book being around only 2,000 words). Alcorn had a similar initial reaction to the project as Davis did. "My first thought,” recalled Alcorn, “was, ‘not another ant movie.’ But looking at the actual story, this was really about a little boy and how he learns about the world by having to live beneath the surface." Davis states that he felt like something of a hypocrite when, while he was working on the script, carpenter ants infested his house and he called an exterminator.

The film was rendered on DNA Productions' 1400-CPU render farm, managed by the open source Sun Grid Engine job scheduler. The nodes started out with Fedora Core 2 Linux with a modern 2.6.x kernel, but the new AMD Opteron nodes are running Fedora Core 4. Most of the applications are commercial, including Maya, Houdini, Massive and the Pixar RenderMan.

Along with the theatrical release of The Ant Bully, there was an IMAX 3D version presented in only some of the IMAX theaters. The others continued to run the 3D version of Superman Returns. The special IMAX 3D version was remastered in 3D with IMAX DMR. Critics within the 3D motion picture community have given the film high marks, as unlike Superman Returns, the entire film is projected in 3D stereo. The process to turn a pure animation film into 3D is much simpler than converting a film having live actors.

Some of the production took place at C.O.R.E. Digital Pictures in Canada.

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