A graphic novel titled Good Apollo, I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness, illustrated by Christopher Shy, was released in September 2005 along with the album of the same name. The story of Good Apollo takes a step outside the science fiction narrative of the first three chapters and examines the life of The Writer, a character who is crafting the lives of the protagonist Claudio and his companions in the form of a fictional story. Through a series of delusional conversations with his ten speed bicycle about an unfaithful former lover, The Writer decides he must kill the Prise Ambellina to properly end his story. The events in the narrative itself build up to a final confrontation between Jesse's rebel forces and the Red Army of Supreme Tri-Mage Wilhelm Ryan under the command of General Mayo Deftinwolf, as well as a literal meeting of the Writer and Claudio culminating in the death of Ambellina and Claudio's emergence as the Crowing.
The new Amory Wars series, illustrated by Gus Vasquez, will retell the story of Good Apollo. Claudio stated that a lot was lost from the graphic novel because of financial constraints. He further explained that although Christopher Shy's art is beautiful, it was not the best medium for Good Apollo's story-telling. Claudio looks forward to releasing a new version in chronological order so that the story will make more sense.
Read more about this topic: The Amory Wars
Famous quotes containing the words burning, star, fear and/or eyes:
“How to attain sufficient clarity of thought to meet the terrifying issues now facing us, before it is too late, is ... important. Of one thing I feel reasonably sure: we can’t stop to discuss whether the table has or hasn’t legs when the house is burning down over our heads. Nor do the classics per se seem to furnish the kind of education which fits people to cope with a fast-changing civilization.”
—Mary Barnett Gilson (1877–?)
“When you wish upon a star your dreams come true.”
—Ned Washington (190l–1976)
“To fear death, my friends, is only to think ourselves wise, without being wise: for it is to think that we know what we do not know. For anything that men can tell, death may be the greatest good that can happen to them: but they fear it as if they knew quite well that it was the greatest of evils. And what is this but that shameful ignorance of thinking that we know what we do not know?”
—Socrates (469–399 B.C.)
“A Carpaccio in Venice, la Berma in Phèdre, masterpieces of visual or theatrical art that the prestige surrounding them made so alive, that is so invisible, that, if I were to see a Carpaccio in a gallery of the Louvre or la Berma in some play of which I had never heard, I would not have felt the same delicious surprise at finally setting eyes on the unique and inconceivable object of so many thousands of my dreams.”
—Marcel Proust (1871–1922)