The Age of Extremes - Hobsbawm On Popular Culture

Hobsbawm On Popular Culture

Hobsbawm also comments on popular culture, a subject he has left alone in other books. He writes, "Buddy Holly, Janis Joplin, Brian Jones of the Rolling Stones, Bob Marley, Jimi Hendrix and a number of other popular divinities fell victim of a life-style designed for early death. What made such deaths symbolic was that youth, which they represented, was impermanent by definition." Of these, Joplin's and Hendrix's deaths were drug-related; Jones's may have been (the coroner's verdict was "death by misadventure"; there has been much controversy surrounding the events leading to his death); Holly died in a plane crash and Marley of cancer.

However, he does use youth culture as a lens to view the changes in the late-twentieth-century social order:

"The novelty of the new youth culture was threefold.

"First, 'youth' was not seen as a preparatory stage of adulthood but, in some sense, as the final stage of full human development. As in sport, the human activity in which youth is supreme, and which now defined the ambitions of more human beings than any other, life clearly went downhill after the age of thirty...

"The second novelty of the youth culture...: it was or became dominant in the 'developed market economies'... What children could learn from their parents became less obvious than what parents did not know and children did. The role of generations was reversed. Blue jeans..., pioneered... by students who did not wish to look like their elders, came to appear... below many a grey head.

"The third peculiarity of the new youth culture in urban societies was its astonishing internationalism... The English language of rock lyrics was often not even translated... The heartlands of Western youth culture themselves were the opposite of culturally chauvinist... They welcomed styles imported from the Caribbean, Latin America and, from the 1980s, increasingly Africa."

Hobsbawm goes on to write that "The cultural revolution of the latest twentieth century can thus best be understood as the triumph of the individual over society, or rather, the breaking of the threads which in the past had woven human beings into social textures" and evokes this as paralleling Margaret Thatcher's claim that 'There is no society, only individuals'.