The Adventures of Milo and Otis - Plot

Plot

The film opens in a barn with a mother cat who has given birth to kittens. One of the kittens is named Milo ("Chatran" in the Japanese version), and has a habit of being too curious and getting himself into trouble. He finds a pug puppy named Otis ("Poosky" in the Japanese version), and they soon become friends. They then look after Gloria's chick, who thinks Otis is his mother. Otis convinces the chick that Otis is not his mother by acting tough on Milo and scaring the Chick. When Milo is playing inside a box floating in the river, he accidentally drifts downstream. Otis runs after Milo. Milo goes on many adventures, escaping one incident after another.

He encounters two bears; escapes from the desolate, raven-infested Deadwood Swamp; steals a muskrat from a fox cache; follows a train-track to the home of a female deer, who shelters him; sleeps in an Owl's "dreaming nest"; stays for a while with a sow pig and her piglets; catches a fish, only to have it stolen by a raccoon; is mobbed by seagulls; and evades the third bear, then a snake, only to fall into a hole.

Otis, for his part, follows Milo throughout, usually only an hour behind and less than a mile out of range. Finally, the two catch up with one another while Milo is in the hole, Otis pulls him out by means of a rope. Milo and Otis are reunited, and soon find mates of their own: Joyce, a cat, for Milo; and Sandra, a pug, for Otis. After this, they separate and raise puppies and kittens. They help each other's families to survive the harsh winter and find their way back together through the forest to their barn, living together.

Read more about this topic:  The Adventures Of Milo And Otis

Famous quotes containing the word plot:

    The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.
    Woodrow Wilson (1856–1924)

    Ends in themselves, my letters plot no change;
    They carry nothing dutiable; they won’t
    Aspire, astound, establish or estrange.
    Philip Larkin (1922–1986)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)