The Addams Family (musical) - Analysis of Book and Music

Analysis of Book and Music

In addition to the original characters created by Addams, the musical introduces the new roles of Mal, Alice, and Lucas Beineke, who are described as "straight arrow Midwesterners." The ensemble consists of a group of Addams Family ancestors, each from a different time period.

Lippa said he wrote most of the score to match each character's personality. This included giving Gomez a Flamenco-style Spanish score, Wednesday a more contemporary score, and Fester a vaudevillian score. "Let's Not Talk About Anything Else but Love" is "jazzy/swingy/catchy" and "Happy/Sad" is a ballad reminiscent of Stephen Sondheim.

Read more about this topic:  The Addams Family (musical)

Famous quotes containing the words analysis, book and/or music:

    Ask anyone committed to Marxist analysis how many angels on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.
    Joan Didion (b. 1934)

    A book lives as long as it is unfathomed.
    —D.H. (David Herbert)

    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)