Analysis of Book and Music
In addition to the original characters created by Addams, the musical introduces the new roles of Mal, Alice, and Lucas Beineke, who are described as "straight arrow Midwesterners." The ensemble consists of a group of Addams Family ancestors, each from a different time period.
Lippa said he wrote most of the score to match each character's personality. This included giving Gomez a Flamenco-style Spanish score, Wednesday a more contemporary score, and Fester a vaudevillian score. "Let's Not Talk About Anything Else but Love" is "jazzy/swingy/catchy" and "Happy/Sad" is a ballad reminiscent of Stephen Sondheim.
Read more about this topic: The Addams Family (musical)
Famous quotes containing the words analysis of, analysis, book and/or music:
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“... the big courageous acts of life are those one never hears of and only suspects from having been through like experience. It takes real courage to do battle in the unspectacular task. We always listen for the applause of our co-workers. He is courageous who plods on, unlettered and unknown.... In the last analysis it is this courage, developing between man and his limitations, that brings success.”
—Alice Foote MacDougall (1867–1945)
“When his book opens its mouth, the author must shut his.”
—Friedrich Nietzsche (1844–1900)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)