Thavius Beck - History

History

Thavius Beck is originally from Minneapolis, Minnesota. He moved to Los Angeles, California when he was 16.

He has released three solo albums Decomposition, Thru and Dialogue on Mush Records. The track "To Make Manifest" from Decomposition appeared on the SuicideGirls: The First Tour video.

In 2005, he released an album Zwarte Achtegrond (which means "black background" in the Dutch language) in collaboration with fellow Los Angeles rapper Subtitle under the group name Lab Waste. In 2007, he contributed a remix of "Survivalism" for Nine Inch Nails, as well as producing several tracks for Saul Williams on The Inevitable Rise and Liberation of NiggyTardust!.

In 2008, Thavius Beck entirely produced an album Yesterday, Today & Tomorrow for fellow Mush Records rapper K-the-I???. Thavius Beck's third solo album, Dialogue, was released in 2009.

Aside from being an avid electronic musician and live performer, Thavius Beck has also been a certified trainer of Ableton Live.

He released The Most Beautiful Ugly on Plug Research in 2012.

Read more about this topic:  Thavius Beck

Famous quotes containing the word history:

    “... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.”
    —Adrienne Rich (b. 1929)

    “Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.”
    —Johan Huizinga (1872–1945)

    “Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
    —Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)