Magic
In the 16th century, the word thaumaturgy entered the English language meaning miraculous or magical powers.
The word was first anglicized and used in the magical sense in John Dee's book Mathematicall Praeface to Euclid's Elements (1570). He mentions an "art mathematical" called "thaumaturgy... which giveth certain order to make strange works, of the sense to be perceived and of men greatly to be wondered at."
In Dee's time, "the Mathematicks" referred not merely to the abstract computations associated with the term today, but to physical mechanical devices which employed mathematical principles in their design. These devices, operated by means of compressed air, springs, strings, pulleys or levers, were seen by unsophisticated people (who did not understand their working principles) as magical devices which could only have been made with the aid of demons and devils.
(By building such mechanical devices, Dee earned a reputation as a conjurer "dreaded" by neighborhood children. He complained of this assessment in his "Mathematicall Praeface": "And for these, and such like marvellous Actes and Feates, Naturally, and Mechanically, wrought and contrived: ought any honest Student and Modest Christian Philosopher, be counted, & called a Conjurer? Shall the folly of Idiotes, and the Malice of the Scornfull, so much prevaille ... Shall that man, be (in hugger mugger) condemned, as a Companion of the hellhoundes, and a Caller, and Conjurer of wicked and damned Spirites?")
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Famous quotes containing the word magic:
“A river seems a magic thing. A magic, moving, living part of the very earth itself—for it is from the soil, both from its depth and from its surface, that a river has its beginning.”
—Laura Gilpin (1891–1979)
“Thou treacherous, base deserter of my flame,
False to my passion, fatal to my fame,
Through what mistaken magic dost thou prove
So true to lewdness, so untrue to love?”
—John Wilmot, Earl Of Rochester (1647–1680)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)