That's the Way of the World is a 1975 album by Earth, Wind & Fire released on Columbia Records. It was also the soundtrack for a 1975 motion picture of the same name which featured several of the band members in cameo roles. Included on the album was the single "Shining Star", which was a #1 U.S. pop and R&B hit. Another popular single was the title track, which reached #12 on the pop chart. The album spent three weeks atop the Billboard Pop Albums Charts, five nonconsecutive weeks atop the Soul Albums chart.
That's the Way of the World was also the third best-selling pop album and the number one best-selling R&B album of 1975 respectively and has been certified triple platinum in the U.S by the RIAA.
In 2003, the album was ranked number 493 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2012, on a revised list by the magazine, the album listed at #486.
Read more about That's The Way Of The World: Critical Reception, Covers and Samples, Personnel, Charts, Accolades, See Also
Famous quotes containing the words the world, that the and/or world:
“The day the world ends, no one will be there, just as no one was there when it began. This is a scandal. Such a scandal for the human race that it is indeed capable collectively, out of spite, of hastening the end of the world by all means just so it can enjoy the show.”
—Jean Baudrillard (b. 1929)
“Some people are under the impression that all that is required to make a good fisherman is the ability to tell lies easily and without blushing; but this is a mistake. Mere bald fabrication is useless; the veriest tyro can manage that. It is in the circumstantial detail, the embellishing touches of probability, the general air of scrupulous—almost of pedantic—veracity, that the experienced angler is seen.”
—Jerome K. Jerome (1859–1927)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)