Reception
Berlin's performance at the song's debut softened the impression that his initial press conference had given, and it settled some of the doubts about his musical talent.
Berlin's performance at the Hippodrome later that day caught both British audiences and critics by surprise. They had expected heavy, bombastic fare in their own music hall tradition; such was the treatment Berlin's own hits were accorded by English performers. Yet the songwriter's performance was by comparison muted and modest; it did not call to mind skyscrapers, grain elevators, and quick-buck artists. With the imperturbable Cliff Hess accompanying him, Berlin sang 'The International Rag' and all the other hits for which he was known abroad: 'Alexander's Ragtime Band', 'Everybody's Doin' It', and 'When I Lost You'. If his voice was weak, his timing and diction were, as always, impeccable; his sense of conviction was unassailable. —Laurence Bergreen, As Thousands Cheer: The Life of Irving BerlinSophie Tucker introduced the song to vaudeville, and the Victor Military Band saw success with an early recording. In 1938 "That International Rag" appeared as a number in the Twentieth Century Fox film Alexander's Ragtime Band. It was also used in the 1948 MGM film Easter Parade, and in 1953's Call Me Madam.
Read more about this topic: That International Rag
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)