History
On the 1st day of the 11th month of the Water-Mouse year, (1912) Mrs. Trinlay Gyalmo, (the sister-in-law of Rani Chonyi Wangmo of Bhutan House) and her husband Bhawalolo constructed the Monastery with a main prayer hall, monk's dormitory and a private residence for Rinpoche on the donated 7 acres land which was orange garden then. Mrs Trinlay Gyalmo also donated 21 acres of paddy field for up-keeping precious artefacts of the Monastery. Rani Chonyi Wangmo sponsored for the renovation of the Chinese temple, Gesar Lhangang and donated generously for the monk's living. Gradually, novice monks came from every part of Tibet from all different schools of Tibetan Buddhism and joined the Monastery. There were monks from Mongolia, Ladakh, Kinnaur, Tawang, Arunachal Pradesh besides Sherpa, Tamang and Gurung monks. As of now, there are 55 resident monks of Tibetan, Monpa, Sherpa, Tamang and Gurung origin.
After the passing away of the Venerable Domo Geshe Rinpoche Ngawang Kalsang in 1939, the senior monks of Tharpa Choling Monastery appealed to the Tibetan government to take over the administration of the Monastery. As the new incarnation of the Rinpoche was yet to be found, and when found he would be too young to take over the administrative responsibilities of the Monastery, therefore, the Tibetan Government decided to appoint abbot from Sera, Drepung and Gaden to administer the monastery. The first deputed abbot of Tharpa Choling Monastery was Khenpo Lodoe Dorje who was Geshe from Gaden Monastery. The second abbot was Drepung Tsawa Khangtsen Mani Tulku. These two abbots were appointed before the Chinese invasion of Tibet in 1959. After the occupation of Tibet, the Department of Religion and Culture, Tibetan Government in Exile appointed Rikya Rinpoche as the third abbot and Serje Khensur Lobsang Dhonyoe as the fourth abbot of the monastery.
Read more about this topic: Tharpa Choling Monastery
Famous quotes containing the word history:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.”
—Conor Cruise O’Brien (b. 1917)