Thanasis Kaproulias - Selected Festivals and Performances

Selected Festivals and Performances

  • 2006
  • 20/03 Polytechnic University, Thessaloniki, GR
  • 2007
  • 25/02 Trianon Filmcenter, Athens, GR
  • 25/03 Ultrahung Festival, Budapest, HU
  • 20/05 Videodance Festival, Athens, GR
  • 15/08 Field recordings Festival, Berlin, DE
  • 20/08 Zaa, Berlin, DE
  • 30/11 Lab, Copenhagen, DN
  • 01/12 Theater Terrier, Malmö, SE
  • 04/12 Plex Music Theater, Copenhagen, DN
  • 2008
  • 20/02 VPRO National Radio, Amsterdam, NL
  • 15/03 Silence, aircraft noises and harmonies in pain, Zeppelin, Barcelona, ES
  • 16/05 Hz vs Church at Electromedia Works festival, Athens, GR
  • 20/05 Danish Institute, Athens, GR
  • 22/06 Observatori Festival, Valencia, ES
  • 05/09 Full-Pull Festival, Malmö, SE
  • 18/09 Mir Festival, Athens, GR
  • 2009
  • 23/02 Rex/B92, Belgrade, RS
  • 26/02 Kuda/CK13, Novi Sad, RS
  • 10/03 Silence, aircraft noises and harmonies in pain, SoundLAB, Cologne, DE
  • 21/03 St. Paul’s Anglican Church, Athens, GR
  • 28/05 Mutek Festival, Montreal, CA
  • 10/06 Suoni per il popolo Festival, Montreal, CA
  • 12/06 Non event, Boston, U.S.A
  • 16/06 Diapason Gallery, New York, U.S.A
  • 21/06 Pyramid Atlantic Center, Washington, U.S.A
  • 23/06 Empty Bottle, Chicago, U.S.A
  • 25/06 The Chapel, Seattle, U.S.A
  • 27/06 The Lab, San Francisco, U.S.A
  • 29/06 Someday Lounge, Portland, U.S.A
  • 05/07 The Pines, Montreal, CA
  • 08/09 Muziekgebouw aan ‘t IJ, Gaudeamus Music Week, Amsterdam, NL
  • 09/09 Steim, Amsterdam, NL
  • 2010
  • 19/02 Hertz Festival, Athens, GR
  • 22/04 Tronic Disease, Madrid, ES
  • 24/04 Sirens, Royal Danish Academy of Fine Arts, Copenhagen, DK
  • 26/04 Raum 18, Berlin, DE
  • 27/04 Fylkingen, Stockholm, SE
  • 28/04 Cave 12, Geneva, CH
  • 14/07 Olympia International Festival, Ancient Olympia, GR
  • 23/07 Interferenze Festival, Bisaccia, IT
  • 02/09 Fad Festival w / The Erasers, Belo Horizonte, BR
  • 03/09 Fad Festival w / The Erasers, Belo Horizonte, BR
  • 2011
  • 29/01 Sirens, Hertz Festival, Athens, GR
  • 18/02 Media Ruimte, Brussels, BE
  • 21/03 Neuroplanets, Rojo Nova, Rio de Janeiro, BR
  • 26/03 A/V collaborative performance, Rojo Nova, Rio de Janeiro, BR
  • 30/03 Sirens, Cabaret Voltaire, Zurich, CH
  • 31/03 Skuc Gallery, Irzu, Ljubljana, SI
  • 02/04 Sirens, Rex/B92, Belgrade, RS
  • 15/04 Sirens, Störung Festival, Barcelona, ES
  • 2012
  • 10/04 MUTEK, Guadalajara, MX
  • Residencies
  • 11/07 Mamori art Lab, Amazon, BR
  • 09/08 Center for Composers, Gotland, SE
  • 03/11 Rojo Nova, Rio de Janeiro, BR
  • Projects
  • 03/07 ‘Silence, aircraft noises and harmonies in pain’
  • 11/07 ‘Amazon vs Electricity’
  • 04/08 ‘Hz vs Church’
  • 02/09 ‘Sirens’
  • Sound design
  • 01/10 ‘Red Book’ video, WWF Greece
  • 04/10 Short movie ‘Casus Belli’, Greece
  • Participation at the 67th Venice International Film Festival, Italy
  • Releases
  • 01/07 Everything looks better beside water, Format : mp3 / Label : Desetxea ( ES )
  • 03/07 Misguided heart pulses, a hammer, she and the clock, Format : cd / Label : S/R limited edition
  • 03/08 Dramazon, Format : mp3 / Label : Touch ( U.K )
  • 11/08 Jailbirds, Format : cd / Label : Sedimental ( U.S )
  • 11/09 Mort Aux Vaches, Format : cd / Label : Staalplaat ( NL )
  • 01/11 Inhumane Humans, Format : cd / Label : Sub Rosa ( BE )
  • Publications
  • 01/09 ‘Hz vs Church’ at Fylkingen’s Hz Journal, SE
  • 12/09 ‘On Violence’ at Konteiner/Eleytherotypia, GR

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Famous quotes containing the words selected, festivals and/or performances:

    The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.
    Robert Frost (1874–1963)

    This is certainly not the place for a discourse about what festivals are for. Discussions on this theme were plentiful during that phase of preparation and on the whole were fruitless. My experience is that discussion is fruitless. What sets forth and demonstrates is the sight of events in action, is living through these events and understanding them.
    Doris Lessing (b. 1919)

    This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.
    Dorothy Parker (1893–1967)