Design
In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, 0, 1, and 2 are of x-height, having neither ascenders nor descenders; 6 and 8 have ascenders; and 3, 4, 5, 7, and 9 have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending 3, a form preserved in some later French typefaces. A few other typefaces used different arrangements.
High-quality typesetting generally prefers text figures in body text: they integrate better with lowercase letters and small capitals, and their greater variety of shape facilitates reading. They help accomplish consistent typographic colour in blocks of text, unlike runs of lining figures, which can distract the eye. (Such a distraction may be desired when numbers are to stand out, for example in scientific text.) Lining figures are called for in all-capitals settings (hence the alternative name titling figures), and may work better in tables and spreadsheets. Some typographers disagree agree with these opinions, and maintain that a skilled typesetter can do an adequate, if not superior, job using line numerals.
Although many traditional fonts included a complete set of each kind of numbers, most digital fonts today (except those used by professional printers) include only one or the other. Lining figures remain more common. The few common digital fonts with default text figures include Candara, Constantia, Corbel, Hoefler Text, Georgia, Junicode and FF Scala. Palatino and its clone FPL Neu support both text and lining figures.
Read more about this topic: Text Figures
Famous quotes containing the word design:
“I begin with a design for a hearse.
For Christ’s sake not black—
nor white either—and not polished!
Let it be weathered—like a farm wagon—”
—William Carlos Williams (1883–1963)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)
“What but design of darkness to appall?—
If design govern in a thing so small.”
—Robert Frost (1874–1963)