Death Penalty Art Show
The Network held an international, all-media, juried art show on the death penalty in Austin, Texas at Gallery Lombardi May 6–22, 2006 entitled "Justice for All?: Artists Reflect on the Death Penalty". The show was juried by Annette Carlozzi, head curator of the Blanton Museum of Art's Contemporary and American Art collection; Lora Reynolds of Lora Reynolds Gallery; and Malaquias Montoya, artist and professor at UC Davis. More than 300 artists from 19 countries submitted more than 700 pieces of art to the show. The jury selected 55 works for the exhibition at Gallery Lombardi. The art show was funded in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts. The death penalty art show was investigated under the "Notoriety for Profit" law by the Austin Police Department at the request of Andy Kahan, the City of Houston Mayor's Director of Crime-Victim Services. Kahan opposes the sale of art created by incarcerated people. A Gallery Lombardi spokesperson said they did indeed sell a drawing of a cross by an inmate for $50 - to a nun.
The Austin Chronicle called the art show "nothing short of powerful".
The art show was exhibited at Houston's M2 Gallery February 10–18, 2007.
A selection of the artworks from the show were exhibited in the Texas Capitol Building March 12–17, 2007, but a state representative personally removed two pieces of art on display at the Capitol that he found objectionable. State Rep. Borris Miles said the artworks were "extremely inappropriate and highly objectionable."
Read more about this topic: Texas Moratorium Network
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“Some say that gleams of a remoter world
Visit the soul in sleep,—that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.—”
—Percy Bysshe Shelley (1792–1822)
“[I support] term limits for career politicians and the death penalty for career politicians.”
—William Frist (b. 1952)
“One line typed twenty years ago
can be blazed on a wall in spraypaint
to glorify art as detachment
or torture of those we
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—Adrienne Rich (b. 1929)
“It is, I fear, but a vain show of fulfilling the heathen precept, “Know thyself,” and too often leads to a self-estimate which will subsist in the absence of that fruit by which alone the quality of the tree is made evident.”
—George Eliot [Mary Ann (or Marian)