Teutonic Alphabet - History and Use - Magical or Divinatory Use

Magical or Divinatory Use

The stanza 157 of Hávamál attribute to runes the power to bring that which is dead back to life. In this stanza, Odin recounts a spell:

The earliest runic inscriptions found on artifacts give the name of either the craftsman or the proprietor, or sometimes, remain a linguistic mystery. Due to this, it is possible that the early runes were not used so much as a simple writing system, but rather as magical signs to be used for charms. Although some say the runes were used for divination, there is no direct evidence to suggest they were ever used in this way. The name rune itself, taken to mean "secret, something hidden", seems to indicate that knowledge of the runes was originally considered esoteric, or restricted to an elite. The 6th-century Björketorp Runestone warns in Proto-Norse using the word rune in both senses:

Haidzruno runu, falahak haidera, ginnarunaz. Arageu haeramalausz uti az. Weladaude, sa'z þat barutz. Uþarba spa.

I, master of the runes(?) conceal here runes of power. Incessantly (plagued by) maleficence, (doomed to) insidious death (is) he who breaks this (monument). I prophesy destruction / prophecy of destruction.

The same curse and use of the word, rune, also is found on the Stentoften Runestone. There also are some inscriptions suggesting a medieval belief in the magical significance of runes, such as the Franks Casket (AD 700) panel.

Charm words, such as auja, laþu, laukaR, and most commonly, alu, appear on a number of Migration period Elder Futhark inscriptions as well as variants and abbreviations of them. Much speculation and study has been produced on the potential meaning of these inscriptions. Rhyming groups appear on some early bracteates that also may be magical in purpose, such as salusalu and luwatuwa. Further, an inscription on the Gummarp Runestone (AD 500 to 700) gives a cryptic inscription describing the use of three runic letters followed by the Elder Futhark f-rune written three times in succession.

Nevertheless, it has proven difficult to find unambiguous traces of runic "oracles": although Norse literature is full of references to runes, it nowhere contains specific instructions on divination. There are at least three sources on divination with rather vague descriptions that may, or may not, refer to runes: Tacitus's 1st-century Germania, Snorri Sturluson's 13th-century Ynglinga saga, and Rimbert's 9th-century Vita Ansgari.

The first source, Tacitus's Germania, describes "signs" chosen in groups of three and cut from "a nut-bearing tree," although the runes do not seem to have been in use at the time of Tacitus' writings. A second source is the Ynglinga saga, where Granmar, the king of Södermanland, goes to Uppsala for the blót. There, the "chips" fell in a way that said that he would not live long (Féll honum þá svo spánn sem hann mundi eigi lengi lifa). These "chips," however, are easily explainable as a blótspánn (sacrificial chip), which was "marked, possibly with sacrificial blood, shaken, and thrown down like dice, and their positive or negative significance then decided."

The third source is Rimbert's Vita Ansgari, where there are three accounts of what some believe to be the use of runes for divination, but Rimbert calls it "drawing lots". One of these accounts is the description of how a renegade Swedish king, Anund Uppsale, first brings a Danish fleet to Birka, but then changes his mind and asks the Danes to "draw lots". According to the story, this "drawing of lots" was quite informative, telling them that attacking Birka would bring bad luck and that they should attack a Slavic town instead. The tool in the "drawing of lots," however, is easily explainable as a hlautlein (lot-twig), which according to Foote and Wilson would be used in the same manner as a blótspánn.

The lack of extensive knowledge on historical use of the runes has not stopped modern authors from extrapolating entire systems of divination from what few specifics exist, usually loosely based on the reconstructed names of the runes and additional outside influence.

A recent study of runic magic suggests that runes were used to create magical objects such as amulets, but not in a way that would indicate that runic writing was any more inherently magical, than were other writing systems such as Latin or Greek.