Terry C. Johnston - Published Work

Published Work

Bass/Paddock Trilogy (Bass' middle years)

  • Carry the Wind (1982)
  • Borderlords (1985)
  • One-Eyed Dream (1988)

Son of the Plains (Custer novels)

  • Long Winter Gone (1990)
  • Seize the Sky (1991)
  • Whisper of the Wolf (1991)

Jonas Hook

  • Cry of the Hawk (1992)
  • Winter Rain (1993)
  • Dream Catcher (1994)

Titus Bass
(Bass' early years)

  • Dance on the Wind (1995)
  • Buffalo Palace (1996)
  • Crack in the Sky (1997)

(Bass' latter years)

  • Ride the Moon Down (1998)
  • Death Rattle (1999)
  • Wind Walker (2001)

The Plainsmen Series

  • Sioux Dawn: The Fetterman Massacre, 1866 (1990)
  • Red Cloud's Revenge: Showdown on the Northern Plains, 1867 (1990)
  • The Stalkers: The Battle of Beecher Island, 1868 (1990)
  • Black Sun: The Battle of Summit Springs, 1869 (1991)
  • Devil's Backbone: The Modoc War, 1872-3 (1991)
  • Shadow Riders: The Southern Plains Uprising, 1873 (1991)
  • Dying Thunder: The Fight at Adobe Walls and the Battle of Palo Duro Canyon-1876-1875 (1992)
  • Blood Song: The Battle of Powder River and the Beginning of the Great Sioux War of 1876 (1992)
  • Reap the Whirlwind: The Battle of the Rosebud, June 1876 (1994)
  • Trumpet on the Land: The Aftermath of Custer's Massacre, 1876 (1995)
  • A Cold Day in Hell: The Dull Knife Battle, 1876 (1995)
  • Wolf Mountain Moon: The Battle of the Butte, 1877 (1997)
  • Ashes of Heaven: The Lame Deer Fight-May 7, 1877 and the End of the Great Sioux War (1998)
  • Cries from the Earth: The Outbreak of the Nez Perce War and the Battle of White Bird Canyon June, 17, 1877 (1999)
  • Lay the Mountains Low: The Flight of Nez Perce from Idaho and the Battle of the Big Hole, August 9–10, 1877 (2000)
  • Turn the Stars Upside Down: The Last Days and Tragic Death of Crazy Horse (2001)

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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    What has influenced my life more than any other single thing has been my stammer. Had I not stammered I would probably ... have gone to Cambridge as my brothers did, perhaps have become a don and every now and then published a dreary book about French literature.
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