Terra Australis - Origins

Origins

The notion of Terra Australis was introduced by Aristotle. His ideas were later expanded by Ptolemy (1st century AD), who believed that the Indian Ocean was enclosed on the south by land, and that the lands of the Northern Hemisphere should be balanced by land in the south. Ptolemy's maps, which became well known in Europe during the Renaissance, did not actually depict such a continent, but they did show an Africa which had no southern oceanic boundary (and which therefore might extend all the way to the South Pole), and also raised the possibility that the Indian Ocean was entirely enclosed by land. Christian thinkers did not discount the idea that there might be land beyond the southern seas, but the issue of whether it could be inhabited was controversial.

The first depiction of Terra Australis on a globe was probably on Johannes Schöner's lost 1523 globe on which Oronce Fine is thought to have based his 1531 double cordiform (heart-shaped) map of the world. On this landmass he wrote "recently discovered but not yet completely explored". The body of water beyond the tip of South America is called the “Mare Magellanicum,” one of the first uses of navigator Ferdinand Magellan’s name in such a context.

Read more about this topic:  Terra Australis

Famous quotes containing the word origins:

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)