Reception
"Terma" premiered on the Fox network on December 1, 1996, and was first broadcast in the United Kingdom on BBC Two on November 4, 1997. The episode earned a Nielsen household rating of 10.6 with a 15 share, meaning that roughly 10.6 percent of all television-equipped households, and 15 percent of households watching television, were tuned in to the episode. A total of 17.34 million viewers watched this episode during its original airing.
Writing for The A.V. Club, Zack Handlen rated the episode a B-, finding that it contained too much "vamping for time", without enough focus on any of the individual plot threads. Handlen felt that the plot thread based on the murder of the Well-Manicured Man's doctor friend should have been the episode's focus, and derided the "pomposity" of the dialogue elsewhere in the episode. Based on an advance viewing of the episode's script, Entertainment Weekly rated "Terma" an A-, praising the "arms race" plotline. Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated "Terma" one star out of five, comparing it unfavourably with the previous episode. Shearman and Pearson described the episode as "awful", noting that there "is virtually no structure to it at all". The episode's dialogue was described as being "dreadful, boring and facile", with its long, clumsy lines and "ever more complex and ever less interesting" speeches.
Read more about this topic: Terma (The X-Files)
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)