Tennis Shoes Adventure Series

The Tennis Shoes Adventure Series is a series of LDS fiction novels written by Chris Heimerdinger and most widely read by young adult members of The Church of Jesus Christ of Latter-day Saints.

There are twelve books in the series so far:

  1. Tennis Shoes among the Nephites (1989)
  2. Gadiantons and the Silver Sword (1991)
  3. Tennis Shoes and the Feathered Serpent (1995)
  4. Tennis Shoes and the Feathered Serpent, Part Two (1996)
  5. The Sacred Quest (formerly Tennis Shoes and the Seven Churches) (1997)
  6. The Lost Scrolls (1998)
  7. The Golden Crown (1999)
  8. Warriors of Cumorah (2001)
  9. Tower of Thunder (2003)
  10. Kingdoms and Conquerors (2005)
  11. Sorcerers and Seers (2010)
  12. Thorns of Glory (2013?)

Read more about Tennis Shoes Adventure Series:  General Synopsis, Thorns of Glory Books

Famous quotes containing the words tennis, shoes, adventure and/or series:

    “[My one tennis book] was very, very old. It had a picture of Bill Tilden. I looked at the picture and that was how I learned to hold the racket.”
    —Maria Bueno (b. 1939)

    “Boots and shoes are the greatest trouble of my life. Everything else one can turn and turn about, and make old look like new; but there’s no coaxing boots and shoes to look better than they are.”
    —George Eliot [Mary Ann (or Marian)

    “Wilson adventured for the whole of the human race. Not as a servant, but as a champion. So pure was this motive, so unflecked with anything that his worst enemies could find, except the mildest and most excusable, a personal vanity, practically the minimum to be human, that in a sense his adventure is that of humanity itself. In Wilson, the whole of mankind breaks camp, sets out from home and wrestles with the universe and its gods.”
    —William Bolitho (1890–1930)

    “The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
    —Jeanine Basinger (b. 1936)