History
The Ten Bells pub has existed in one guise or other since at least the middle of the 18th century.
It originally stood on a site known as 12 Red Lion Street, just a few metres away. However, when this building was pulled down as part of the cutting of Commercial Street in 1851, the owners of the Ten Bells (Truman Hanbury Buxton & Co) were able to move the public house to its current position at 84 Commercial Street (at one time known as 33 Church Street).
The name of the pub has changed over time, but those names have generally derived from the number of bells in the "peal" (see Ring of bells) housed in the Nicholas Hawksmoor designed Christ Church, Spitalfields next door.
In 1755 it was known as the "Eight Bells Alehouse". The name is likely to have changed in 1788 when the church installed a new set of chimes, this time with ten bells; certainly, there are insurance records to show that the pub was registered as "the Ten Bells, Church Street, Spitalfields" from 1794. The number of bells in the church increased to twelve at one point and were subsequently reduced to its current number of eight after a fire in the steeple in 1836. However, save for a brief deviation from the theme (see below), the "Ten Bells" name has stuck.
The interior of the pub is particularly interesting as it is impressively decorated with original Victorian tiling. Two of the walls feature a blue and white floral pattern tiling scheme and there is a colourful tiled dado going round the room. Of particular note is the mural of painted tiles on the wall on the North side of the building, entitled Spitalfields in ye Olden Time - visiting a Weaver's Shop, which commemorates the weaving heritage of the area. The mural was designed by the firm of W. B. Simpson and Sons and dates from the late 19th century.
The Ten Bells was renovated by current landlord John Twomey in December 2010 to fully display the pub's Victorian heritage. The renovation also included the addition of a new mural titled Smithfields in Modern Times. This was painted by artist Ian Harper. Rather than feature the weavers of the 19th century, the painting features 21st century Spitalfields scenes and characters, such as Gilbert and George.
The building was designated a Grade II listed building in 1973.
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