Templo Mayor - Symbolism of The Temple

Symbolism of The Temple

According to tradition, the Templo Mayor is located on the exact spot where the god Huitzilopochtli gave the Mexica people his sign that they had reached the promised land: an eagle on a nopal cactus with a snake in its mouth.

The Templo Mayor was partially a symbolic representation of the Hill of Coatepec, where according to Mexica myth, Huitzilopochtli was born. Huitzilpochtli emerged from his mother Coatlicue fully grown and fully armed to battle his sister Coyolxauhqui and her brothers the Centzon Huitznahua who intended to kill him and their mother. Huitzilpochtli was victorious, slaying and dismembering his sister. Her body was then thrown to the bottom of the hill. As the southern half of the Great Temple represented Coatepec, the great stone disk with Coyolxauhqui’s dismembered body was found at the foot of this side of the temple. The northern half represented Tonacatepetl, the mountain home of Tlaloc.

The sacred ballcourt and skull rack were located at the foot of the stairs of the twin temples, to mimic, like the stone disk, where Huitzilopochtli was said to have placed the goddess’ decapitated head. These locations served as a place for the reenactment of the mythical conflict.

The various levels of the Temple also represent the cosmology of the Aztec world. First of all, it is aligned with the cardinal directions with gates that connect to roads leading in these directions. This indicates the place where the plane of the world that humans live in intersect the thirteen levels of the heavens, called Topan and the nine levels of the underworld, called Mictlan.

Read more about this topic:  Templo Mayor

Famous quotes containing the words symbolism of, symbolism and/or temple:

    ...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.
    Albion Fellows Bacon (1865–1933)

    ...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.
    Albion Fellows Bacon (1865–1933)

    If you are ambitious of climbing up to the difficult, and in a manner inaccessible, summit of the Temple of Fame, your surest way is to leave on one hand the narrow path of Poetry, and follow the narrower track of Knight-Errantry, which in a trice may raise you to an imperial throne.
    Miguel De Cervantes (1547–1616)