Temple Painter (born June 14, 1933 in Pulaski, Virginia) is an American harpsichordist and organist.
Temple Painter has performed as solo organist with members of the New York Philharmonic at Lincoln Center under Hermann Scherchen, as harpsichord soloist with the Philadelphia Orchestra under Eugene Ormandy, and as solo harpsichordist for the St. Paul Chamber Orchestra. He has performed as solo pianist, harpsichordist and organist with the Chamber Orchestra of Philadelphia, and concertized extensively in the United States, Europe and Israel.
His 1962 critically acclaimed recording "Temple Painter-Harpsichord Recital" on the Artia-Parliament label was cited by the New York Times in 1964 as "the most satisfying" of the five harpsichord recordings reviewed that year. He has also recorded the harpsichord music of American composer Harold Boatrite and can be heard as harpsichord soloist and continuo player in Handel's "Roman Vespers" recorded by the Philadelphia Singers and the Chamber Orchestra of Philadelphia on RCA Red Seal Records.
Painter is a graduate of the Curtis Institute of Music and the recipient of several honors and awards including the Martha Baird Rockefeller Grant and an honorary Doctorate from the Combs College of Music. In addition, he is a National Arts Associate of the Sigma Alpha Iota International Music Fraternity.
He was for 40 years the permanent harpsichordist for the Chamber Orchestra of Philadelphia, and for 45 years the organist at Congregation Adath Jeshurun, Elkins Park, Pennsylvania. Additionally, he was Associate Professor of Music at Haverford College for 13 years, and has been Lecturer in Music at both Immaculata University and Temple University.
Temple Painter is currently in the process of recording the 2 and 3 part Inventions of Johann Sebastian Bach.
Famous quotes containing the words temple and/or painter:
“The same indignation that is said to have cleared the temple once will clear it again. The question is not about the weapon, but the spirit in which you use it. No man has appeared in America, as yet, who loved his fellow-man so well, and treated him so tenderly. He lived for him. He took up his life and he laid it down for him.”
—Henry David Thoreau (1817–1862)
“There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”
—Henri Matisse (1869–1954)