Second Phase
The new temple was sponsored at least in part by Croesus, who founded Lydia's empire and was overlord of Ephesus, and was designed and constructed from around 550 BC by the Cretan architect Chersiphron and his son Metagenes. It was some 377' long and 151' wide, supposedly the first Greek temple built of marble. Its peripteral columns stood some 40 feet high, in double rows that formed a wide ceremonial passage around the cella that housed the goddess' cult image. Thirty-six of these columns were, according to Pliny, decorated by carvings in relief. A new ebony or blackened grapewood cult statue was sculpted by Endoios, and a naiskos to house it was erected east of the open-air altar.
A rich foundation deposit from this era yielded more than a thousand items, including what may be the earliest coins made from the silver-gold alloy electrum. Fragments of bas-relief on the lowest drums of the temple, preserved in the British Museum, show that the enriched columns of the later temple, of which a few survive (illustration, below right) were versions of this earlier feature. Pliny the Elder, seemingly unaware of the ancient continuity of the sacred site, claims that the new temple's architects chose to build it on marshy ground as a precaution against earthquakes. The temple became an important attraction, visited by merchants, kings, and sightseers, many of whom paid homage to Artemis in the form of jewelry and various goods. It also offered sanctuary to those fleeing persecution or punishment, a tradition linked in myth to the Amazons who twice fled there seeking the goddess' protection from punishment, firstly by Dionysus and later, by Heracles.
Read more about this topic: Temple Of Artemis
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