Television Soundtracks - Origin of The Term

Origin of The Term

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.

The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover of the music.

Read more about this topic:  Television Soundtracks

Famous quotes containing the words origin of the, origin of, origin and/or term:

    The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.
    Charles Sanders Peirce (1839–1914)

    Someone had literally run to earth
    In an old cellar hole in a byroad
    The origin of all the family there.
    Thence they were sprung, so numerous a tribe
    That now not all the houses left in town
    Made shift to shelter them without the help
    Of here and there a tent in grove and orchard.
    Robert Frost (1874–1963)

    Though I do not believe that a plant will spring up where no seed has been, I have great faith in a seed,—a, to me, equally mysterious origin for it.
    Henry David Thoreau (1817–1862)

    When “reality” is sought for at large, it is without intellectual import; at most the term carries the connotation of an agreeable emotional state.
    John Dewey (1859–1952)