Television in South Korea - History

History

Since the beginning of 1950s, television was introduced to Korea by RCA to sell second-hand black & white TV sets as a marketing scheme. Some TV sets were strategically set up at Pagoda Park, others at the Seoul Station and Gwanghwamun during this time. However it was not until 1956 when South Korea began its own television broadcasting station, the HLKZ-TV, part of the KORCAD (RCA Distribution Company). The first ever Korean television drama, 천국의 문 (The Gates of Heaven) in 1956, planning director Choi Chang-Bong spent two and a half months continuously fixing the script, preparing sets and even the first instance of special effects, all for a drama that lasted no longer than fifteen minutes.

The early 1960s saw a phenomenal growth in television broadcasting. On 1 October 1961 the first full-scale television station, HLKA-TV (Now known as KBS 1TV), was established and began operation under the Ministry of Culture and Public Information.

Following KBS was Tongyang Broadcasting Corporation's TBC-TV which was launched in 1964. It was the first private television network in South Korea.

The second commercial television system, MBC-TV, made its debut in 1969. The advent of MBC-TV brought significant development to the television industry in Korea and after 1969 the television industry was characterized by furious competition among the three networks.

The 1970s were highlighted by government intervention into the media system in Korea. In 1972, President Park Chung Hee government imposed censorship upon media through the Martial Law Decree. The government revised the Broadcasting Law under the pretext of improving the quality of television programming. After the revision of the law, the government expanded its control of media content by requiring all television and radio stations to review programming before and after transmission. Although the government argued that its action was taken as a result of growing public criticism of broadcasting media practices, many accused the government of wanting to establish a monopoly over television broadcasting.

The 1980s were the golden years for Korea's television industry. Growth was phenomenal in every dimension: the number of programming hours per week rose from 56 in 1979 to nearly 88.5 in 1989; the number of television stations increased from 12 in 1979 to 78 by 1989; and the number of television sets grew from 4 million in 1979 to nearly 6 million in the same period. 1981 also saw another technological breakthrough, the introduction of color television. Color broadcasting, however, occasioned a renewal of strong competition among the networks. Korean TV industry suffered huge blows in this decade. During Chun Doo-hwan's term, several newspapers, broadcasters and publications were forcibly closed, or were merged into a single organization. One of which is TBC-TV which was awarded to KBS. TBC-TV was then replaced by KBS 2TV.

At the beginning of the 1990s with the introduction of cable television. In 1990, the government initiated an experimental multi-channel and multi-purpose cable television service. In addition, Korea launched its first broadcasting/communication satellite, Mugungwha, to 36,000 km above the equator in 1995. The development of an integrated broadband network is expected to take the form of B-ISDN immediately after the turn of the century. This decade is a period of great technological change in the Korean broadcasting industry, which will make broadcasting media even more important than in the past. In this decade the Korean broadcasting industry will maximize the service with new technological developments such as DBS, satellites, and interactive cable systems, all of which will allow Korea to participate fully in the information society.

Read more about this topic:  Television In South Korea

Famous quotes containing the word history:

    I assure you that in our next class we will concern ourselves solely with the history of Egypt, and not with the more lurid and non-curricular subject of living mummies.
    Griffin Jay, and Reginald LeBorg. Prof. Norman (Frank Reicher)

    False history gets made all day, any day,
    the truth of the new is never on the news
    False history gets written every day
    ...
    the lesbian archaeologist watches herself
    sifting her own life out from the shards she’s piecing,
    asking the clay all questions but her own.
    Adrienne Rich (b. 1929)

    Considered in its entirety, psychoanalysis won’t do. It’s an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth-century thought.
    Peter B. Medawar (1915–1987)