Telemusik - Sources

Sources

  • Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. ISBN 0-671-21495-0
  • Erbe, Marcus. 2004. "Karlheinz Stockhausens Telemusik". In Kompositorische Stationen des 20. Jahrhunderts: Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle, ed. Christoph von Blumröder, 129–71. Signale aus Köln: Musik der Zeit 7. Münster: Lit Verlag. ISBN 3-8258-7212-2
  • Frisius, Rudolf. 2008. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. ISBN 978-3-7957-0249-6
  • Fritsch, Johannes. 1999. "Telemusik: Fragment des Verstehens." In Internationales Stockhausen-Symposion 1998, Musikwissenschaftliches Institut der Universität zu Köln, 11. bis. 14. November 1998: Tagungsbericht, ed. Imke Misch and Christoph von Blumröder, in association with Johannes Fritsch, Dieter Gutknecht, Dietrich Kämper, and Rüdiger Schumacher, 177–85. Signale aus Köln 4. Saarbrücken: Pfau-Verlag. ISBN 3-89727-050-1.
  • Fuhrmann, Roderich. 1974. "Karlheinz Stockhausen: Telemusik". Musik und Bildung 6 (January): 24–29. Published at the same time in Perspektiven Neuer Musik—Material und didaktische Information, edited by Dieter Zimmerschied, 251–65. Mainz: B. Schott's Söhne. ISBN 3-7957-2951-3.
  • Gruber, Gernot. 1999. "Stockhausens Konzeption der 'Weltmusik' und die Zitathaftigkeit seiner Musik". In Internationales Stockhausen-Symposion 1998, Musikwissenschaftliches Institut der Universität zu Köln, 11. bis. 14. November 1998: Tagungsbericht, ed. Imke Misch and Christoph von Blumröder, in association with Johannes Fritsch, Dieter Gutknecht, Dietrich Kämper, and Rüdiger Schumacher, 103–11. Signale aus Köln 4. Saarbrücken: Pfau-Verlag. ISBN 3-89727-050-1.
  • Harvey, Jonathan. 1975. The Music of Stockhausen: An Introduction. Berkeley and Los Angeles: University of California Press. ISBN 0-520-02311-0.
  • Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press. ISBN 0-313-31420-9
  • Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. ISBN 0-571-14323-7 (cloth) ISBN 0-571-17146-X (pbk)
  • Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. ISBN 0-8108-5356-6
  • Schatt, Peter W. 1989. "Universalismus und Exotik in Karlheinz Stockhausens Telemusik". Musica 43:315–20
  • Stockhausen, Karlheinz. 1966. "Telemusik: Vortrag". Radio lecture. Released on Stockhausen Text-CD 16. Kürten: Stockhausen-Verlag, 2008. English translation by Jayne Obst.
  • Stockhausen, Karlheinz. 1969. Nr. 20 Telemusik (score). Vienna: Universal Edition (UE 14807)
  • Stockhausen, Karlheinz. 1971a. "Telemusik (1966)" In Karlheinz Stockhausen, Texte 3, edited by Dieter Schnebel, 75–77. Cologne: Verlag M. DuMont Schauberg. ISBN 3-7701-0493-5.
  • Stockhausen, Karlheinz. 1971b. "Interview über Telemusik" In Karlheinz Stockhausen, Texte 3, edited by Dieter Schnebel, 79–84. Cologne: Verlag M. DuMont Schauberg. ISBN 3-7701-0493-5. Originally published in Christ und Welt, 7 June 1968.
  • Stockhausen, Karlheinz. 1996. "Electroacoustic Performance Practice". Perspectives of New Music 34, no. 1 (Fall): 74–105.
  • Stockhausen, Karlheinz. 2009. Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-027313-1
  • Toop, Richard. 1981. "Stockhausen’s Electronic Works: Sketches and Work-Sheets from 1952–1967." Interface 10:149–97.
  • Utz, Christian. 2007. "Zur kompositorischen Relevanz kultureller Differenz: Historische und ästhetische Perspektiven", in Musik und Globalisierung: Zwischen kultureller Homogenisierung und kultureller Differenz—Bericht des Symposions an der Kunstuniversität Graz, 17.–18. Oktober 2006, edited by Christian Utz and Otto Kolleritsch, 29–49. Musiktheorien der Gegenwart 1. Saarbrücken: Pfau-Verlag.

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