Radio and Television
Raidió Teilifís Éireann (Radio Television of Ireland; abbreviated as RTÉ) is a statutory semi-state company and the public service broadcaster that dominates the radio and TV sectors in Ireland. The first commercial radio stations began broadcasting in 1989. Prior to 1989 hundreds of pirate radio stations were a mainstay of radio listener-ship, particularly in Dublin, and a handfull of pirate stations continue to operate illegally today. In 1998 TV3 became the first privately owned commercial TV station and it remains the main free-to-air service after RTÉ. Competition also comes from British public and private terrestrial TV. Satellite and cable TV are widely available. There are also non-commercial community and special interest radio stations.
RTÉ both produces programmes and broadcasts them on television, radio and the Internet in English and Irish. The radio service began on 1 January 1926, while regular television broadcasts began on 31 December 1961, making RTÉ one of the oldest continuously operating public service broadcasters in the world. Some RTÉ services are only funded by advertising, while other RTÉ services are only funded by the television licence fee.
Saorview (/ˈsɛərvjuː/ SAIR-vyoo) is Ireland's national free-to-air digital terrestrial television (DTT) service operated by RTÉ NL. Trial service began on 29 October 2010 with full service to the public from May 2011. Analogue television transmissions ended on the 24 October 2012.
A television licence is required for any address at which there is a television set or device that is not exempt. The annual licence fee is €160. The licence is free to senior citizens (to anyone over the age of 70, some over 66), some Social Welfare recipients, and individuals who are blind.
Read more about this topic: Telecommunications In Ireland
Famous quotes containing the words radio and/or television:
“A bibulation of sports writers, a yammer of radio announcers, a guilt of umpires, an indigence of writers.”
—Walter Wellesley (Red)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)