Technical Analysis of Stocks & Commodities

Technical Analysis of Stocks & Commodities is an American, Seattle-based monthly magazine about commodity futures contracts, stocks, options, derivatives, and forex.

It was established in 1982 and today covers global industry trends, prominent people, trading technology, managed funds, and fundamental and technical analysis.

The magazine is a respected source of information on the financial markets, with articles on industry issues, current market developments, trading techniques and strategies, and many other areas of interest to traders and risk managers. It contains feature articles, analysis and strategies for derivatives traders and money managers, and more.

The magazine is published by Technical Analysis, Inc. Its primary competitors are Active Trader and Futures among others.

Famous quotes containing the words technical, analysis, stocks and/or commodities:

    I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.
    Orson Welles (1915–1984)

    A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties.
    Karl Marx (1818–1883)

    We Americans have the chance to become someday a nation in which all radical stocks and classes can exist in their own selfhoods, but meet on a basis of respect and equality and live together, socially, economically, and politically. We can become a dynamic equilibrium, a harmony of many different elements, in which the whole will be greater than all its parts and greater than any society the world has seen before. It can still happen.
    Shirley Chisholm (b. 1924)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)