Influence On Later Architecture
Over the centuries, the Teatro Olimpico has had many admirers, but relatively few imitators. One critic has observed, "In the history of theatre design, the Teatro Olimpico was a temporary hiatus, for succeeding generations adopted the proscenium arch and painterly stage sets. Palladio's ideas are closer to the spirit of the modern theatre, which favors the relationship of audience to action." Another notes, "The rigid form of the scenic arrangements of the Teatro Olimpico...precluded any further development," and that the theatre was, in a sense, a prisoner of its creators' emphasis on "considerations of archaeology" and truthfulness to the Roman model. The successful completion of Palladio's experiment in reconstructing the ancient model meant that there was no longer any need to pursue the objective of recovering the Roman past; it was now possible to start making innovations, starting with eliminating the rigid and unchangeable scaenae frons and the unchanging perspective views.
The first theatre to draw inspiration from the Teatro Olimpico, and the one in which its influence is the most obvious, is the Teatro all'antica in Sabbioneta. This theatre, which was designed by Vincenzo Scamozzi, is sometimes also referred to, somewhat confusingly, as the "Teatro Olimpico", and some of its design elements, including most notably the colonnade behind the seating area and the self-conscious references to ancient Rome, are clearly drawn from the original Teatro Olimpico. However, the elaborate scaenae frons is absent in Sabbioneta, and only a single perspective view, along a single street, is employed onstage. As well, the seating area departs radically from Palladio's elliptical plan (perhaps as a result of the much narrower shape of the building in which the theatre is housed).
The English architect Inigo Jones visited the Teatro Olimpico shortly after its completion, and took careful notes, in which he expressed particular admiration for the perspective views: "he chief artifice was that whear so ever you sat you saw one of thes Prospects...."
Read more about this topic: Teatro Olimpico
Famous quotes containing the words influence on, influence and/or architecture:
“If morality had naturally no influence on human passions and actions, it were in vain to take such pains to inculcate it; and nothing would be more fruitless than that multitude of rules and precepts with which all moralists abound.”
—David Hume (1711–1776)
“Just what is the civil law? What neither influence can affect, nor power break, nor money corrupt: were it to be suppressed or even merely ignored or inadequately observed, no one would feel safe about anything, whether his own possessions, the inheritance he expects from his father, or the bequests he makes to his children.”
—Marcus Tullius Cicero (106–43 B.C.)
“Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.”
—Ralph Waldo Emerson (1803–1882)