Music
| Taxi Driver | |
|---|---|
| Soundtrack album by Bernard Herrmann | |
| Released | 1998 |
| Genre | Soundtracks |
| Label | Arista |
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
The music by Bernard Herrmann was his final score before his death on December 24, 1975, and the film is dedicated to his memory. Robert Barnett of MusicWeb International has said that it contrasts deep, sleazy noises representing the "scum" that Travis sees all over the city with the saxophone, a musical counterpart of Travis, creating a mellifluously disenchanted troubadour. Barnett also observes that the opposing noises in the soundtrack — gritty little harp figures — are as hard as shards of steel as well as a jazz drum-kit placing the drama in the city – indicative of loneliness while surrounded by people. Deep brass and woodwind are also evident. Barnett heard in the drumbeat a wild-eyed martial air charting the pressure on Bickle, who is increasingly oppressed by the corruption around him, and that the harp, drum and saxophone play extremely significant roles in all this music.
The soundtrack for the film, re-released in 1998 on CD, includes an expanded version of the score as well as the re-recorded tracks from the original 1976 LP. It also features album notes by director Martin Scorsese, as well as full documentation for the tracks linking them in great detail to individual takes.
Track 12, "Diary of a Taxi Driver", features Herrmann's music with Robert De Niro's voiceover taken direct from the soundtrack.
Also featured in the film is Jackson Browne's "Late for the Sky", appearing in a scene where couples are dancing on the program American Bandstand to the song as Travis watches on his small TV.
Read more about this topic: Taxi Driver
Famous quotes containing the word music:
“Taylor, the Shakespeare of divines.
His words are music in my ear,”
—Ralph Waldo Emerson (1803–1882)
“The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.”
—Thomas Moore (1779–1852)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)