Taslima Nasrin - Literary Works

Literary Works

Nasrin started writing poetry when she was thirteen. While still at college in Mymensingh, she published and edited a literary magazine, SeNjuti ("Light in the dark"), from 1978 to 1983. She published her first collection of poems in 1986. Her second collection, Nirbashito Bahire Ontore ("Banished within and without") was published in 1989. She succeeded in attracting a wider readership when she started writing columns in late 1980s, and, in the early 1990s, she began writing novels, for which she has won significant acclaim. In all, she has written more than thirty books of poetry, essays, novels, short stories, and memoirs, and her books have been translated into 20 different languages.

Her own experience of sexual abuse during adolescence and her work as a gynaecologist influenced her a great deal in writing about the treatment of women in Islam and against religion in general. Her writing is characterized by two connected elements: her struggle with the Islam of her native culture, and her feminist philosophy. She cites Virginia Woolf and Simone de Beauvoir as influences, and, when pushed to think of one closer to home, Begum Rokeya, who lived during the time of undivided Bengal. Her later poetry also evidences a connection to place, to Bangladesh and India.

Read more about this topic:  Taslima Nasrin

Famous quotes containing the words literary and/or works:

    The want of an international Copy-Right Law, by rendering it nearly impossible to obtain anything from the booksellers in the way of remuneration for literary labor, has had the effect of forcing many of our very best writers into the service of the Magazines and Reviews.
    Edgar Allan Poe (1809–1849)

    And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.
    Ron Taffel (20th century)