Production
Tarzan the Tiger was a sequel based on the success of Tarzan the Mighty.
Advertising for the serial, in addition to the usual jungle serial perils (such as elephants, lions, tigers and gorillas), focused on the beautiful women (Lady Jane, La and the women of the slave market scenes). Kingston, as Jane, appeared nude in a swimming sequence. "It is said that fathers sometimes accompanied their sons to the showings."
A further sequel, to create a trilogy of Frank Merrill Tarzan serials, was planned. The third entry would have been called Tarzan the Terrible. However, Merrill's voice was deemed unsuitable for sound films and the sequel was cancelled. Merrill made personal appearances in costume to promote the serial. During these, he realised how much influence he had on children. Combined with the issues over his voice this led him to retire after this serial and devote his life to children. He become a Recreational Director for the Parks commission of the Los Angeles city administration.
Tarzan the Tiger was a transitional film with one version released as a silent and the other with a partial soundtrack. The soundtrack only covered music and sound effects, but does include the first Tarzan yell, although it does not sound like the now traditional call that was first used in the Johnny Weissmuller Tarzan movie Tarzan the Ape Man.
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Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)