Reception
Reviews for the miniseries seem to improve over time. In one of the earliest reviews of the pilot episode, The New York Times called the show an "interesting misfire" that "insists too much on its own sophistication about politics". The same paper held the second episode in higher esteem, calling it "humorous cinéma vérité" that's "slick and occasionally witty." In its "Best of 1988" look at television, Time magazine called it: "the year's definitive satire of media politics."
In a 2003 review of K Street, the New York Daily News said "Tanner skewer brilliantly the insanity and inanity of presidential politics." By 2004, Slate was saying:
More than a decade before the ascendancy of reality television, the series slyly blended fiction and documentary, with real-life political and media figures—Bob Dole, Bruce Babbitt, and Linda Ellerbee among them—crossing paths with, and commenting upon, Tanner's grass-roots campaign. But Tanner's formal complexity—a loose, layered blend of group improvisation, scripted set pieces, and the intervention of pure chance—manages to point up not only the laziness of reality shows like Survivor and The Bachelor but their moral and political vacuity.In 2004, Altman said "I think it's the most creative work I've ever done."
Read more about this topic: Tanner '88
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)