Tang Poetry After The Fall of The Tang Dynasty
Surviving the turbulent decades of the Five Dynasties and Ten Kingdoms era, Tang poetry was perhaps the major influence on the poetry of the Song Dynasty, for example seeing such major poets as Su Shi creating new works based upon matching lines of Du Fu's. This matching style is known from the Late Tang. Pi Rixiu and Lu Guimeng, sometimes known as Pi-Lu, were well known for it: one would write a poem with a certain style and rhyme scheme, then the other would reply with a different poem, but matching the style and with the same rhymes. This allows for subtleties which can only be grasped by matching the poems together.
Succeeding eras have seen the popularity of various Tang poets wax and wane. The Qing Dynasty saw the publication of the massive compilation of the collected Tang poems, the Quantangshi, as well as the less-scholarly (for example, no textual variants are given), but more popular, Three Hundred Tang Poems. Furthermore, in the Qing Dynasty era the imperial civil service examinations the requirement to compose Tang style poetry was restored. In China, some of the poets, such as Li Bo and Du Fu have never fallen into obscurity; others, such as Li Shangyin, have had modern revivals. Outside of China, and cultural neighborhood, recent centuries have seen major influence upon poetry around the world, including through translations or through some sort of general impression of Tang poetry.
Read more about this topic: Tang Dynasty Poetry
Famous quotes containing the words tang, poetry and/or fall:
“A widow is a fascinating being with the flavor of maturity, the spice of experience, the piquancy of novelty, the tang of practised coquetry, and the halo of one man’s approval.”
—Helen Rowland (1875–1950)
“Whatever is felt upon the page without being specifically named there—that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.”
—Willa Cather (1873–1947)
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (1883–1955)