Major Exhibitions and Performances
Dates | Title | Medium | Location |
---|---|---|---|
1970 | Drawings and Paintings (first solo exhibition) |
Drawing, painting | Singapore Chinese Chamber of Commerce and Industry Singapore |
1972 | Touch Space Midland Art 72 |
Sculpture | Dudley Museum Dudley, England, UK |
1973 | Crowds Forward Trust Painting Competition |
Painting | Birmingham, England, UK |
1975 | Marking over Marks | Painting | Royal Overseas League London, England, UK |
1978 | Marks – Black Powder Falling Through Muslin | Installation | ACME Gallery London, England, UK |
1980 | Earthworks (works from Earthworks, 1979–1980) |
Installation | National Museum Art Gallery and Sin Chew Jit Poh Exhibition Centre Singapore |
1981 | Save the Forest | Performance | Epping Forest, Greater London and Essex, England, UK |
1982 | Five Days at NAFA; Five Days in Museum | Performance | Nanyang Academy of Fine Arts and National Museum Singapore |
1983 | Sumi | Performance | Lyndhurst Hall Studio London, England, UK |
Movement in a Circle | London Musician Collective London, England, UK |
||
Flying Marks ALTERNATIVA III, Festival of Performance |
Almada, Portugal | ||
In Between; Change 4th Performance Platform |
Nottingham, England, UK | ||
1984 | The 1984 Show | Performance | Brixton Art Gallery Brixton, London, England, UK |
You're Welcome; The Door – The Birth Second International Festival of Performance |
Brecknell, England, UK | ||
Jufu – Best Wishes | Ikebana Trust London, England, UK |
||
A Fish/A Path; Responding to You | Townhall Studio Swindon, England, UK |
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Every Other Move | Painting | Oporto, Portugal | |
1985 | The Support | Performance | Woodland Gallery Greenwich, London, England, UK |
Steaming Laundry | Brixton Art Gallery London, England, UK |
||
1986 | No Fancy Brushes | Performance | Royal Festival Hall London, England, UK |
New Life | Painting | ||
In the End, My Mother Decided to Eat Dogfood and Catfood Orchard Road Weekend Art Fair |
Performance | Orchard Road, Singapore | |
1987 | Four Days at the National Museum Art Gallery | Performance | National Museum Singapore |
People | Painting | The Oval Gallery London, England, UK |
|
1988 | In Case of Howard Lui; Incident in a City Singapore Festival of Arts Fringe |
Performance | Old St. Joseph's Institution building Singapore |
Who Polluted the Canal? Islington City Art '88 |
London, England, UK | ||
1989 | To Make Friends is All We Want in 1989 Big O Concert with music performance by Joe Ng of Corporate Toil, Singapore Music Festival 1989 |
Performance | Orchard Road, Singapore |
Life Boat | Cuppage Village Singapore |
||
The Artists Village Show Home Documentation | Drawing, painting | Art Base Gallery Singapore |
|
Gooseman; Open the Gate; Dancing UV; Selling Handicaps; In the End, My Mother Decided to Eat Dogfood and Catfood The Artists Village 2nd Open Studio Show |
Performance | The Artists Village Lorong Gambas, Singapore |
|
They Poach the Rhino, Chop Off His Horn and Make This Drink | National Museum Art Gallery, National University of Singapore and Singapore Zoo Singapore |
||
The Third Asian Art Show | Painting | Fukuoka Art Museum Fukuoka, Japan |
|
1989–1990 | Dancing by the Ponds; Sunrise at the Vegetable Farm; The Time Show – 24 Hours Continuous Performance Show | Performance | The Artists Village Lorong Gambas, Singapore |
1990 | The Death of the Philipino Maid Singapore Festival of Arts Fringe 1990 |
Performance | Shell Theatrette Singapore |
Stop that Tank – One Year Anniversary of 4 June Singapore Festival of Arts Fringe 1990 |
PUB Auditorium Singapore |
||
Noah's Ark for Plants Singapore Festival of Arts Fringe 1990 |
Wisma Atria Singapore |
||
Serious Conversations Singapore Festival of Arts Fringe 1990 |
Raffles Place, Singapore | ||
T or P? That is the Question The Arts for Nature exhibition commemorating World Environment Day |
Empress Place Museum Singapore |
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1990–1999 | North-East Monsoon – A Water Game | Project | Singapore and other places |
1991 | Tiger's Whip | Performance | National Museum and Chinatown Singapore Fukuoka Art Museum |
Four Persons in One Suit, in the Streets of Singapore A Sculpture Seminar |
National Museum Singapore |
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The Ark for Plants Tree Celebration |
The Substation Singapore |
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Chinese Restaurant II National Sculpture Exhibition |
National Museum Singapore |
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World's Number One Pet Shop National Sculpture Exhibition |
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Just in Case National Sculpture Exhibition |
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Switch Off the Lights, Please Raw Theatre I |
The Substation Singapore |
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Asian Artist Today – Fukuoka Annual V: Tang Da Wu Exhibition (They Poach the Rhino, Chop Off His Horn and Make This Drink, In the End, My Mother Decided to Eat Dogfood and Catfood, and Tiger's Whip) |
Fukuoka Art Museum Fukuoka, Japan |
||
1992 | Under the Table All Going One Direction New Art from Southeast Asia 1992 |
Tokyo Metropolitan Artspace Tokyo, Japan Fukuoka Art Museum Hiroshima City Museum of Contemporary Art Kirin Plaza |
|
1993 | Who Owns the Cock Baguio Arts Festival |
Performance | Baguio City, Philippines |
And He Return Home When You Least Expected 2nd ASEAN Workship, Exhibition and Symposium on Aesthetics |
Philippines | ||
1994 | Sorry Whale, I Didn't Know that You Were in My Camera Creativity in Asian Art Now, Part 3 – Asian Installation Work |
Installation | Hiroshima City Museum of Contemporary Art Hiroshima, Japan |
Contemporary Shopping | Sculpture | Faret Tachikawa Tokyo, Japan |
|
Colours Don't Help Artists Against AIDS |
Singapore | ||
No! I Don't Want Any Black Monsoon | Performance | Mojosongo, Solo, Indonesia | |
1994–1995 | Tapioca Friendship Project | Project | Osaka International Peace Center Osaka, Japan; and Singapore |
1995 | Meeting with the Real Chiang Maian 3rd Chiang Mai Social Installation |
Performance | Chiang Mai, Thailand |
I was Born Japanese | Mojosongo, Solo, Indonesia | ||
Don't Buy Present for Your Mother on Mother's Day | The Substation Singapore |
||
Don't Give Money to the Arts Asian International Art Exhibition and Singapore Art '95 |
National Museum Art Gallery; Suntec City Singapore |
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1996 | Root Sculpture | Sculpture | Nanao International Artist's Camp '96 Nanao, Japan |
One Hand Prayer Project | Project | Hiroshima City Museum of Contemporary Art Hiroshima, Japan |
|
Subject Matter | Project | Japan, Malaysia, Singapore and the UK | |
Life in a Tin | Malaysia, Singapore and others | ||
Rubber Road No U-Turn | Malaysia, Singapore and others | ||
1998 | Sorry Whale, I Didn't Know that You Were in My Camera Contemporary Art in Asia: Traditions/Tensions |
Installation | Art Gallery of Western Australia Perth, Australia |
1999 | Don't Worry Ancestors | Project | Singapore |
Life in a Tin First Fukuoka Asian Art Triennale |
Fukuoka Asian Art Museum Fukuoka, Japan |
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2000 | Tapioca Friendship Gwangju Biennale |
Gwangju, South Korea | |
2001 | Under a Banana Leaf Echigo Tsumarigo |
Japan | |
2002 | Singapore Pools – Water Games | Project | Singapore |
2003 | Many Heads and Local Heroes | Project | Singapore |
2004 | Satsuma Brilliance | Sculpture (stained glass) |
Kirishima Open Air Museum Kirishima, Japan |
Interakcje | Performance | Piotrków Trybunalski, Poland | |
2005 | Art Brickfest | Sculpture | Wheelock Place Singapore |
Your Head | Your Mother's Gallery Singapore |
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January–February 2006 | Jantung Pisang – Heart of a Tree, Heart of a People Ran |
Painting | Jendela visual arts space, Esplanade – Theatres on the Bay Singapore |
9–25 February 2006 | Tang Da Wu: Heroes, Islanders | Painting | Valentine Willie Fine Art Kuala Lumpur, Malaysia |
10 June – 7 November 2007 |
Untitled Singapore Pavilion at the 52nd Venice Biennale International Art Exhibition |
Installation | Istituto Veneto di Scienze, Lettere ed Arti, Palazzo Cavalli Franchetti Venice, Italy |
Read more about this topic: Tang Da Wu
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