Arts and Crafts
The Tairona ceramic chronologies range from 200 BCE to 1650 CE, and the Caribbean coast of Colombia has evidence of ceramics from at least 2500 BCE. Recent investigations in Chengue, Parque Tairona by the Colombian archaeologist Alejandro Dever show significant variations in the ceramic that allow for a chronological division of sequence into at least five phases. The first phase, called Nahuange 1, appears to start at around 200 BCE and ends at around 500 CE when there appears to be a peak in the population. A second phase spans from 500 CE to about 900 CE; it can be called Nehuange 2, and was called Buritaca after detailed excavations by Jack Wynn in the 1970s. From c. 900 CE began what is commonly called the Tairona period, characterized by an impressive increase in the variation, size and number of ceramic forms, many conserving the styles from the Nehuange or Buritaca phases. The Tairona 1 through 3 phases, from 900 to 1650, show significant local variations. This was shown by numerous works done in the 1980s by Colombian archaeologists Augusto Oyuela, Carl Langebaek, Luisa Fernanda Herrera and Ana Maria Groot, and others. During the Tairona period, the evidence for exchange increases as does the population of the entire region. The causes for this population increase are not fully known but what is evident is the robust local exchange networks that emerge at this time.
The Tairona civilization is most renowned for its distinctive goldwork. The earliest known Tairona goldwork has been described for the Neguanje Period (from about 300 to 800 CE). Its use in the Tairona society appears to have extended beyond the elite, although little proof of this exists. The gold artifacts comprise of pendants, lip-plugs, nose ornaments, necklaces, and earrings. Gold cast Tairona figure pendants (known as "caciques") in particular stand out among the goldworks of precolumbian America because of their richness in detail. The figurines depict human subjects - thought be noblemen or chiefs - in ornate dresses and with a large animal mask over the face. Many elements of their body posture (e.g., hands on their hips) and dress signal an aggressive stance and hence are interpreted by some as evidence for the power of the wearer and the bellicose nature of Tairona society at that time.
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