In Popular Culture
Kuribayashi became known to an international audience after being portrayed onscreen in the film Letters from Iwo Jima. The film depicts General Kuribayashi as a tragic hero whose devotion to his country is tempered by a knowledge of the enemy's humanity. In one scene, Kuribayashi declares, "I have sworn to fight to the death to protect my family, but somehow the memory of my family makes it hard to keep that promise."
When a staff officer accuses him of betraying bushido, Kuribayashi responds, "The tunnel-digging may be futile. The stand on Iwo Jima may be futile. Maybe the whole war is futile. Would you give up then? We will defend this island until we are dead! Until the very last soldier is dead! If our children can live safely for one more day, it would be worth the one more day that we defend this island!"
According to screenwriter Iris Yamashita, "Ultimately, I felt that the many nuances of Tadamichi Kuribayashi came to life onscreen under Clint Eastwood's masterful direction and actor Ken Watanabe's deft portrayal, expressing the perfect sense of the balance of the gentleness and warmth of the family man, combined with the strength, practicality and regality of the commanding officer."
Letters from Iwo Jima was released in December 2006 and was nominated for four Academy Awards; including Best Picture, Best Director, Best Original Screenplay, and Best Sound Editing, which it won.
Eastwood had also directed a precursor, Flags of Our Fathers, which focused on the Marine Corps company responsible for raising the Flag on Iwo Jima.
Collar insignia | Date |
---|---|
大将Tai-sho (General) | March 1945 |
中将Chu-jo (Lieutenant General) | June 1943 |
少将Sho-sho (Major General) | March 1940 |
大佐Tai-sa (Colonel) | Spring/Summer 1937 |
中佐Chu-sa (Lieutenant Colonel) | August 1933 |
少佐Sho-sa (Major) | March 1930 |
大尉Tai-i (Captain) | August 1923 |
中尉Chu-i (First Lieutenant) | July 1918 |
Commissioned 少尉Sho-i (Second Lieutenant) | May 1911 |
Read more about this topic: Tadamichi Kuribayashi
Famous quotes containing the words popular and/or culture:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“To assault the total culture totally is to be free to use all the fruits of mankinds wisdom and experience without the rotten structure in which these glories are encased and encrusted.”
—Judith Malina (b. 1926)