Origins
The Teenage Mutant Ninja Turtles originated in an American comic book published by Mirage Studios in 1984. The concept arose from a humorous drawing sketched out by Kevin Eastman during a casual evening of brainstorming with his friend Peter Laird. Using money from a tax refund together with a loan from Eastman's uncle, the young artists self-published a single issue comic intended to parody four of the most popular comics of the early 1980s: Marvel Comics' Daredevil and New Mutants, Dave Sim's Cerebus and Frank Miller's Ronin.
Much of the Turtles' mainstream success is owed to licensing and wider merchandising opportunities for the offbeat property. Including action figures and a popular Teenage Mutant Ninja Turtles animated series. At the height of the frenzy, the Turtles' likenesses could be found on a wide range of children's merchandise, from Pez dispensers to skateboards, breakfast cereal, toothpaste, school supplies and cameras. This lead to the production if a series o feature films. A later resurgence in the Turtles' popularity due to the second animated series, a new line of Playmates action figures, Konami and Ubisoft's video games, and a computer-animated feature film. In late 2009, the franchise was purchased by Nickelodeon, which has produced the most recent animated series, and has a new feature film in production.
Read more about this topic: Table Of Teenage Mutant Ninja Turtles Character Appearances
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)